UGC content production for U.S. brands with in-house creators in Lima, Peru

It's paid advertising shot in the visual language of organic content: vertical format, natural light, a real person speaking to camera. It's produced specifically to run on Meta, TikTok and YouTube, and its advantage is that viewers consume it as a recommendation rather than an ad, which holds retention through the opening seconds where most ads lose the audience.

A first batch of six to ten assets is the practical minimum. Below that you have nothing to compare: if you test two videos and both underperform, you can't tell whether the format or the angle failed. With eight assets covering four distinct angles, the campaign tells you within two weeks which direction to push.

Both, but the creator and the angle change. Consumer responds to demonstration and before/after. B2B responds to a usage testimonial, a specific operational problem explained plainly, and a comparison with the old way of doing things. What doesn't change is the principle: real face, direct tone, hook in the first seconds.

You do. The creator agreement assigns paid-media usage rights for the agreed term — typically twelve months, renewable — across the platforms we specify. We settle this in writing before filming, because putting real budget behind a video without documented rights is exactly the kind of exposure that surfaces once the campaign starts working.

Ten to fifteen business days from script approval to edited delivery. The slow part isn't filming, it's locking the angles. When the brief arrives with real customer objections already identified, delivery lands at the short end of that range.

You can, but it underperforms. Each platform has its own grammar: TikTok rewards a spoken hook and fast cuts, Meta tolerates a slightly longer build and leans harder on captions. That's why we ship per-platform variations rather than one re-cropped master — force-cropping is the single most common way we've seen a good video underperform.

Three metrics, in this order: three-second retention tells you whether the hook works, click-through tells you whether the promise lands, and cost per acquisition tells you whether the angle sells. A video with strong retention and poor CPA isn't a bad video — it's a good hook on the wrong promise, and that gets fixed in the next script.

Yes. We produce in Lima and deliver for brands in the United States and Mexico, in English or Spanish depending on the market. Our team works U.S.-compatible hours, communication runs in English, and invoicing is issued in U.S. dollars. This is the core of our nearshore model: U.S.-standard output without U.S.-agency overhead.